Reviews
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Four Short Film Music Videos to Battle Your A.D.D.
In today’s culture, size definitely matters. As a rule of majority, we tend to take a mere glance...
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REVIEW: The Bronx IV by The Bronx
After much anticipation, Los Angeles punk rock band The Bronx has broken a five-year musical hiatus and released...
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REVIEW: Ladyfinger (ne)’s Errant Forms
Ladyfinger (ne) occupy a strange locale between punk, post-punk and FM rock. Nothing truly gets sketched out, but...
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SHOW REVIEW: The xx at Tabernacle
____________________ If you’ve listened to even a tiny fragment of a song by The xx – any song...
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REVIEW: Circle Takes the Square’s Decompositions: Volume Number One
Circle Takes The Square‘s Decompositions, Volume Number One is a record that dissolves boundaries, a journey through time...
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REVIEW: Concord America’s Shag Nasty
What do edgy punksters, the beach, and a be-grilled Marilyn Monroe doppelganger have in common? Yeah, you should...
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REVIEW: Toro Y Moi’s Anything in Return
Chaz Bundick’s production skills are unmatched. His keen ear for beats, wiggling bass lines, and soulful vocal samples...
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PREVIEW: September Call-Up’s self-titled
Hey guys and gals – September Call-Up (formerly releasing as Christian Bitto) is back to introduce a few...
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REVIEW: Snowbeast
Album: Snowbeast by Snowbeast The upsurge of intentional lo-fi music that has pervaded the Internet lately has usually...
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REVIEW: Carpet of Horses’ It’s Only Light EP
An EP recorded in three different countries inevitably sets up some pretty massive expectations for a worldly and...
