The Latest
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Punk’s (fortunately) Not Dead: Monsoon as a Riveting Reminder at Chase Fest
Is there a name for the feeling you have when you’re suddenly becoming consumed by an energy that...
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REVIEW: Kareem Ali – ‘Getting Through’
Upon doing research for this review, I noticed that Phoenix-based producer Kareem Ali’s Instagram bio reads “I create...
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Courting: ‘Grand National’
If there’s anyone who hasn’t lost complete touch over the ever-fleeting artistry of social commentary rock, it would...
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Track-By-Track: Humble Plum Talks Debut ‘Seventeen Hours’
Athens, GA-based Humble Plum’s debut album, Seventeen Hours, out now. Humble Plum is composed of Daniel Hardin John...
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REVIEW: Bobby Kid – “Blue/Dissonance”
Who am I, and who are you? Growth. Fear. Changes. The nostalgia of it all. Who are we...
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2021.5 Staff Picks Playlist
Hey there Vinyl Mag subscribers, long time no talk. To reign in the 2021 VM revival, consider this...
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Fleet Foxes – ‘First Collection 2006-2009’
Nostalgia is a powerful feeling, providing respite from the present day. Music continues to find ways to replicate...
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BRONCHO: ‘Bad Behavior’
When formulating ideas for new music, BRONCHO bandleader Ryan Lindsey could not help but focus on the bad things....
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REVIEW: Lala Lala – ‘The Lamb’
Lillie West has described her recent past as one of “general violence.” In the midst of writing her...
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20 Years of Pickathon: A Legacy of Diversity
It’s good to be home. Portland may no longer be the country’s best kept secret, but it is...
