Reviews
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Review: Skee Mask – ‘Pool’
Dance music has found itself in a stalemate throughout the age of pandemic. A genre whose beating heart...
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Review: Lucy Dacus: ‘Home Video’
Home Video is a stunning collection of delicate coming-of-age moments packed with emotional vulnerability and scenic poetry. Lucy Dacus, 26,...
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Review: CLOUDLAND: ‘Where We Meet’
As the clock strikes midnight, CLOUDLAND, based out of Athens, Georgia, celebrates the release their debut album, Where...
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REVIEW: Kareem Ali – ‘Getting Through’
Upon doing research for this review, I noticed that Phoenix-based producer Kareem Ali’s Instagram bio reads “I create...
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REVIEW: DoFlame’s “Bat House”
18-year-old DoFlame made his debut just a few weeks ago with single “Bat House.” If I could describe...
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REVIEW: Bobby Kid – “Blue/Dissonance”
Who am I, and who are you? Growth. Fear. Changes. The nostalgia of it all. Who are we...
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REVIEW: Cities Aviv – ‘The Crashing Sound of How It Goes’
THE CRASHING SOUND OF HOW IT GOES by Cities Aviv I was stuck in a place/I couldn’t get...
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Fleet Foxes – ‘First Collection 2006-2009’
Nostalgia is a powerful feeling, providing respite from the present day. Music continues to find ways to replicate...
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BRONCHO: ‘Bad Behavior’
When formulating ideas for new music, BRONCHO bandleader Ryan Lindsey could not help but focus on the bad things....
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REVIEW: Lala Lala – ‘The Lamb’
Lillie West has described her recent past as one of “general violence.” In the midst of writing her...
