Category: Reviews
Review: Bad Bad Hats: “It Hurts (Demo)”
To celebrate the 10th anniversary of the release of their debut EP It Hurts, Minneapolis-based indie-rock duo Bad Bad Hats will be releasing It Hurts (10th Anniversary edition) at the end of the month. The reissue will consist of remasters of all five songs, as well as the original demos, and will be the first…
iii Points 2021 Recap: The Good, The Bad, and The Ugly
If you’re unfamiliar with Miami music festival iii Points, it’s quite singular as far as US-based festivals go. Gates run from 5 pm to 5 am, reminiscent of many EU-based fests, many of the acts identify with the dance music genre, and there’s a heavy emphasis on local and international talent. On paper, this should…
Tasting Notes – Fall Heat Wave
Welcome to my new column here at Vinyl Mag: Tasting Notes! I have had this idea bouncing inside my head for a little while now yet for some reason haven’t gotten around to writing it. Each edition of Tasting Notes will feature a themed menu with a few projects that deserve your time. This week’s…
Review: The Dazy Chains: “Electric Sunshine”
The Dazy Chains, a relatively new homegrown Athens band, didn’t let the past year and a half stop them from writing, recording, and releasing their debut full-length album Electric Sunshine, which came out Oct 8th at midnight. The album cover, like the contents within the album, is a psychedelic piece of art. It features the iconic steeple…
Review: Hotel Fiction: ‘Soft Focus’
Hotel Fiction’s debut album Soft Focus is finally out today. Written and recorded over the past two years, Soft Focus is a complete introduction to the potential Hotel Fiction brings to the table as musicians, writers, and creatives. It’s rare that a musical act steps forward with such a complete vision and polished presence, but Hotel Fiction has done…
Hiding Places, Out of Hiding: “Homework”
Hiding Places are one of many bands emerging through the bustling post-pandemic creative scene, escaping from an isolation that long limited the ignition of projects in-the-making. Though most of us spent apocalypse-times contemplating survival, it’s quite refreshing to remember how isolation drove many to cultivate time and energy towards their art. I saw this vitality…
Review: Hotel Fiction: “Daydrifter”
Athens-based duo Hotel Fiction released their latest single ‘Daydrifter’ last Friday. Like every other song in their catalog, this one was also produced by Tommy Trautwein of We Bought a Zoo Records. Best friends Jade Long and Jessica Thompson are determined to bring a fresh sound to the table with every new track they put out; “Daydrifter”…
Review: Lucy Dacus: ‘Home Video’
Home Video is a stunning collection of delicate coming-of-age moments packed with emotional vulnerability and scenic poetry. Lucy Dacus, 26, brings to life nostalgic tales of her Christian youth camp days, friends dating subpar boys, awkward firsts and confused teens replacing pop culture references for a personality. Presumably, the effectiveness comes from the way she read through her teenage…
Review: CLOUDLAND: ‘Where We Meet’
As the clock strikes midnight, CLOUDLAND, based out of Athens, Georgia, celebrates the release their debut album, Where We Meet. The four-piece rock group is made up of members: vocalist Zach King, Karmen Smith on drums, guitarist Aidan Hill and Hogan Heim on bass. The ten-track album was written over the last year and a…
Review: Skee Mask – ‘Pool’
Dance music has found itself in a stalemate throughout the age of pandemic. A genre whose beating heart lies on a club floor surrounded by individuals experiencing spiritual urges to move their bodies was demoralized at the snap of a finger. With physical spaces stolen away, the innate physicality of dance music became isolated inside…