Reviews
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REVIEW: September Call-Up’s Air And My Sleep
Christian Bitto, singer of the September Call-Up, is a lot like Leonardo da Vinci. How, you might ask?...
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REVIEW: Valaska’s Natural Habitat
With the warm, lazy summer months ahead, what could be better than a pensive indie album with fantastic...
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SHOW REVIEW: Crystal Castles at the Tabernacle
A threesome of musicians swarmed the Tabernacle stage, awash in black, taking their places before a massive, eerie...
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SHOW REVIEW: 2013 NCAA Big Dance Concert Series
The NCAA came to Atlanta last weekend and in addition to basketball fanatics a like, the sporting event...
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REVIEW: Deadstring Brothers’ Cannery Row
Close your eyes and envision this: members from Ryan Adams’ The Cardinals, Willie Nelson’s band, Whitey Morgan and...
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Review: Luke Winslow-King’s ‘The Coming Tide’
Thank God for Luke Winslow-King. In a musical era in which simple beats and perverse lyrics reign supreme,...
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Vinyl Mag’s Guide to SXSW
South by Southwest. Indescribable. But here I am, about to try to describe it. SXSW was intense, exhausting,...
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REVIEW: The Flaming Lips’ The Terror
When the Flaming Lips released In a Priest Driven Ambulance, I was a trembling fetus nestled in...
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SHOW REVIEW: EOTO at Georgia Theatre
On the eve of a month that many of us consider to be the start of the season...
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SHOW REVIEW: Tame Impala at the Georgia Theater
Some concertgoers can’t get enough of upbeat, high-energy shows that keep them dancing all night. Others prefer a...
