Category: Reviews
Courtney Barnett Gets Real on ‘Tell Me How You Really Feel’
The start of Courtney Barnett’s sophomore album, Tell Me How You Really Feel, sets the scene for the chaotic, emotional turmoil to come with the words, “Take your broken heart / turn it into art.” While this first track, “Hopefulessness,” seems to drone on upon first listen, with its slow rhythm and monotonous vocals, it later becomes…
Rainbow Kitten Surprise: ‘How to: Friend, Love, Freefall’
On paper, Rainbow Kitten Surprise should be a complete disaster: A North-Carolina five-piece playing moody folk-rock music with spurts of rapping, paired an ultimately ridiculous name. Yet somehow, the band has beat the odds and gained quite a reputation for incredible shows and a distinct sound. On RKS’ third studio effort How to: Friend, Love,…
HINDS: ‘I Don’t Run’
Hinds is back with the release of their much-anticipated sophomore studio album I Don’t Run, and they haven’t strayed from their ultra-cool, garage-tinged rock. Despite Hinds hailing from Madrid, I Don’t Run sounds like it was recorded in an American garage by four dogged women who aren’t putting up with your shit – oh wait,…
Wye Oak: ‘The Louder I Call, The Faster It Runs’
Wye Oak is a band of separation and reconnection. Bandmates Jenn Wasner and Andy Stack are divided by over 1,500 miles (Durham, NC to Marfa, TX, respectively), meeting back to write and record. Forgoing the recording methods of previous albums, the duo approached their latest release with a freer process, allowing them to delve further…
Show Review: Rainbow Kitten Surprise at the Georgia Theatre
Last time Rainbow Kitten Surprise played in Athens, Georgia, they played a single show at one of Athens’ mid-sized venues: the 40 Watt. Two years later, on Tuesday, April 3, they returned to Athens with Ohio-based folk band CAAMP for a show at one of the largest and most iconic venues in Athens: the Georgia…
The Voidz: ‘Virtue’
How does Julian Casablancas want to be remembered? It’s been 17 years since the release of The Strokes‘ Is This It, and I think Julian is finally a little tired of being a Stroke. I never thought that I could have typed this sentence, but I also didn’t ever expect to be this taken aback by a new VOIDZ album. I…
Preoccupations: ‘New Material’
Have you ever been to a rave? No, like a real one. I’m talking about the kind that would be in warehouses, bunkers, or maybe even condemned buildings. What if the new generation of post punk kids all decided to throw a new kind of rave together in that fashion? New Material by Preoccupations asks this question. Are they having…
Sunflower Bean: ‘Twentytwo in Blue’
To understand just how much that the Brooklyn trio has grown in the past two years, look no further than the cover of the band’s terrific new album, Twentytwo In Blue. The three members of the band are spotlighted in the middle of the picture; a cover that is more confident and much less cluttered…
Decemberists: ‘I’ll Be Your Girl’
Veteran indie rockers The Decemberists, helmed by frontman Colin Meloy, officially released their eighth full-length album I’ll Be Your Girl on March 16th, and while it showcases Meloy’s enchanting vibrato and occasionally conjures a vaguely maritime aesthetic, it veers off-course of traditional Decemberists material in most ways. The band utilizes milky, spacey synths on several…
Nap Eyes: ‘ I’m Bad Now ‘
Upon first listen, Nova Scotia, Canada natives Nap Eyes‘ I’m Bad Now felt like nothing but a snarky stoner’s revelry. Too zonked or tired out to outgrow the comfortable Loaded era Velvet Underground, Nashville or SoCal instrumental trappings, the album on first listen quite frankly felt very flat. Oh, how wrong I was. Like an unglazed clay pot…