Category: Music Reviews
REVIEW: Deadstring Brothers’ Cannery Row
Close your eyes and envision this: members from Ryan Adams’ The Cardinals, Willie Nelson’s band, Whitey Morgan and the 78s, and Poco get together to make an album. You’re probably drooling by now, right? Now, open your eyes, grab your keys, and go out and buy Deadstring Brothers’ newest album, Cannery Row. You’re welcome. From…
Review: Luke Winslow-King’s ‘The Coming Tide’
Thank God for Luke Winslow-King. In a musical era in which simple beats and perverse lyrics reign supreme, and enjoying quality music puts you in the minority, Winslow-King brings back a feeling long forgotten: the way your hips can’t help but sway in an almost instinctive way when early 20th century jazz blares from your…
REVIEW: The Flaming Lips’ The Terror
When the Flaming Lips released In a Priest Driven Ambulance, I was a trembling fetus nestled in my mother’s womb. When I was nine, the band was radiating mainstream attention, but I didn’t know because no exceptionally cool third-grader brought The Soft Bulletin to show-and-tell. And when I was 12, Yoshimi was battling the…
REVIEW: Dana Swimmer’s Veloce
As someone living in Athens and happily soaking up all the music that this Classic City has to offer, I can say one thing without hesitation: Athens band Dana Swimmer makes me proud to be here. Their new album, Veloce, is an eccentric intermingling of rock n’ roll sounds that everyone and their mother adores…
REVIEW: The Bronx IV by The Bronx
After much anticipation, Los Angeles punk rock band The Bronx has broken a five-year musical hiatus and released its fourth studio album, The Bronx IV, which dropped today. The Bronx has been an underground staple in the hardcore scene for over a decade, and this record seems to pick right back up where the band…
REVIEW: Ladyfinger (ne)’s Errant Forms
Ladyfinger (ne) occupy a strange locale between punk, post-punk and FM rock. Nothing truly gets sketched out, but that seems to be Ladyfinger (ne)’s objective here. In their own words, they describe pulling inspiration from early 70’s classic rock. But that label is a bit of a misnomer, because Errant Forms sounds nothing like the…
REVIEW: Circle Takes the Square’s Decompositions: Volume Number One
Circle Takes The Square‘s Decompositions, Volume Number One is a record that dissolves boundaries, a journey through time arriving at the crossroads of an epoch. Blurring the lines between human and animal, earthly and supernatural, linear and cyclical, and creative and destructive, Decompositions sounds like a fevered ayahuasca dream. Listening to Decompositions‘ stream of apocryphal…
REVIEW: Concord America’s Shag Nasty
What do edgy punksters, the beach, and a be-grilled Marilyn Monroe doppelganger have in common? Yeah, you should be confused. But you should also be ready for some insanely awesome listening, because all of these elements – and a hundred others, for that matter – combine to form Atlanta band Concord America’s first full-length album,…
REVIEW: Toro Y Moi’s Anything in Return
Chaz Bundick’s production skills are unmatched. His keen ear for beats, wiggling bass lines, and soulful vocal samples lends his music an immediately recognizable style, one that dabbles in disco, electro pop, and (gulp) chillwave*. That being said, what made Toro Y Moi a force to be reckoned with was his inclination to push his…
PREVIEW: September Call-Up’s self-titled
Hey guys and gals – September Call-Up (formerly releasing as Christian Bitto) is back to introduce a few new songs from his upcoming full-length album September Call-Up to be released later this year under the name. Bitto is going on a mini-tour this month and will be giving away his three promo songs that are…