Music Reviews
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REVIEW: Deadstring Brothers’ Cannery Row
Close your eyes and envision this: members from Ryan Adams’ The Cardinals, Willie Nelson’s band, Whitey Morgan and...
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Review: Luke Winslow-King’s ‘The Coming Tide’
Thank God for Luke Winslow-King. In a musical era in which simple beats and perverse lyrics reign supreme,...
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REVIEW: The Flaming Lips’ The Terror
When the Flaming Lips released In a Priest Driven Ambulance, I was a trembling fetus nestled in...
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REVIEW: Dana Swimmer’s Veloce
As someone living in Athens and happily soaking up all the music that this Classic City has to...
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REVIEW: The Bronx IV by The Bronx
After much anticipation, Los Angeles punk rock band The Bronx has broken a five-year musical hiatus and released...
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REVIEW: Ladyfinger (ne)’s Errant Forms
Ladyfinger (ne) occupy a strange locale between punk, post-punk and FM rock. Nothing truly gets sketched out, but...
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REVIEW: Circle Takes the Square’s Decompositions: Volume Number One
Circle Takes The Square‘s Decompositions, Volume Number One is a record that dissolves boundaries, a journey through time...
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REVIEW: Concord America’s Shag Nasty
What do edgy punksters, the beach, and a be-grilled Marilyn Monroe doppelganger have in common? Yeah, you should...
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REVIEW: Toro Y Moi’s Anything in Return
Chaz Bundick’s production skills are unmatched. His keen ear for beats, wiggling bass lines, and soulful vocal samples...
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PREVIEW: September Call-Up’s self-titled
Hey guys and gals – September Call-Up (formerly releasing as Christian Bitto) is back to introduce a few...
