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Tag: new album

Camp Cope: ‘How to Socialise and Make Friends’

Posted on March 2, 2018March 8, 2018 by Sebastian Marquez

Let me get one thing out of the way: Camp Cope are not fucking around. The moment singer/guitarist Georgia “Maq” McDonald lets loose the first lyrics of the How to Socialise and Make Friends, all bets are off that this is going to be an easy listen. Don’t get me wrong, the instrumentation on the…

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Lucy Dacus: ‘Historian’

Posted on March 2, 2018March 2, 2018 by Emma Korstanje

After her 2016 debut, No Burden, Lucy Dacus was hailed as one of rock’s most promising new players. With her sophomore release, Historian on March 2, Dacus fulfills that promise—and then some. Dacus’ delicate—but not in any way frail—vocals lead the way through the album, which almost feels like a rambling stroll through a narrative…

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Eureka California: Versus

Posted on March 14, 2016 by Nikki Smith

Eureka California is a hidden gem of Athens, Georgia. While the music scene in The Classic City presents a plethora of dreamy sounds and echo effects, the indie rock duo exudes a sound that samples from the 90’s rock style and references classic authors and musicians alike. With lyrical spin-offs of Simon & Garfunkel and…

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Artist to Watch: Idiot Grins

Posted on January 18, 2016January 18, 2016 by Maria Lewczyk

Recent trends in music have revolved around synth pop and overproduced albums, so it is rare to find a big band sound in the mix.  Idiot Grins, a five man soul rock band from Oakland, California, has managed the impossible.  By getting musical help from Johnnie Bamont, the saxophone player from Huey Lewis and the…

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Superbody x Vinyl Mag

Posted on November 17, 2015November 17, 2015 by Nikki Smith

Robert McCurry and Caleb Dills of Superbody recently released their first album, Hades Land. With a deep and dreamy synth pop style, the boys from Chattanooga have made multiple appearances in Athens, Georgia. McCurry and Dills briefly talk about their fateful history and possible upcoming albums with an air of modest humor. VM: Superbody is…

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Foxing: ‘Dealer’

Posted on November 4, 2015January 1, 2016 by Maria Lewczyk

Calling the St. Louis band Foxing an indie band doesn’t even begin to do them justice.  Starting from humble beginnings in 2010, Foxing released their first album The Albatross in 2013 and was immediately put on artist radar.  The Albatross was a success, with notable favorites from the album being “The Medic” and “Rory”.  Their…

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Vanessa Carlton: ‘Liberman’

Posted on October 23, 2015January 1, 2016 by Maria Lewczyk

After the reigning success of “A Thousand Miles” from her debut Be Not Nobody in 2003, Vanessa Carlton released the not-so-popular Harmonium (2004) and Heroes & Thieves (2007).  Despite the commercial failures of the two albums, Carlton moved on to release Rabbits on the Run through label Razor & Tie in 2011.  Critics viewed the…

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Superbody: “Wings 4 Two” Music Video

Posted on October 22, 2015October 22, 2015 by Nikki Smith

After their recent release of Hades Land, Chattanooga-based Robert McCurry and Caleb Dills have debuted their newest music video for “Wings 4 Two.” With an 80’s pop sound and deep vocals from McCurry, the video implicates a “home video” style. French subtitles guide the video as McCurry and Dills play in front of a sparse…

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The Casket Girls: ‘The Piano Album’

Posted on October 16, 2015January 1, 2016 by Maria Lewczyk

  On October 17, Savannah natives The Casket Girls are releasing their third album, called The Piano Album through Graveface Records.  The three piece group features sister vocalists Elsa and Phaedra Greene as well as Black Moth Super Rainbow’s Ryan Graveface.  Although the two previous albums were infused with experimental electronic sounds similar to those…

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City and Colour: ‘If I Should Go Before You’

Posted on October 12, 2015January 1, 2016 by Maria Lewczyk

  If I Should Go Before You is the fifth studio album by City and Colour, and it’s definitely a ride.  The main themes of the album revolve around self-rediscovery, unrequited love and being lost within oneself.  It’s very easy to see that Dallas Green has lost himself, both lyrically and musically.  If I Should…

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