Music Reviews
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Sam Veal | April 6, 2018
Wye Oak: ‘The Louder I Call, The Faster It Runs’
Wye Oak is a band of separation and reconnection. Bandmates Jenn Wasner and Andy Stack are divided by...
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Sebastian Marquez | March 30, 2018
The Voidz: ‘Virtue’
How does Julian Casablancas want to be remembered? It’s been 17 years since the release of The Strokes‘ Is...
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Sebastian Marquez | March 23, 2018
Preoccupations: ‘New Material’
Have you ever been to a rave? No, like a real one. I’m talking about the kind that...
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Nate Bramel | March 23, 2018
Sunflower Bean: ‘Twentytwo in Blue’
To understand just how much that the Brooklyn trio has grown in the past two years, look no...
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Harper Bridges | March 19, 2018
Decemberists: ‘I’ll Be Your Girl’
Veteran indie rockers The Decemberists, helmed by frontman Colin Meloy, officially released their eighth full-length album I’ll Be...
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Sebastian Marquez | March 9, 2018
Nap Eyes: ‘ I’m Bad Now ‘
Upon first listen, Nova Scotia, Canada natives Nap Eyes‘ I’m Bad Now felt like nothing but a snarky stoner’s revelry....
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Sebastian Marquez | March 2, 2018
Camp Cope: ‘How to Socialise and Make Friends’
Let me get one thing out of the way: Camp Cope are not fucking around. The moment singer/guitarist...
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Emma Korstanje | March 2, 2018
Lucy Dacus: ‘Historian’
After her 2016 debut, No Burden, Lucy Dacus was hailed as one of rock’s most promising new players....
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Harper Bridges | March 2, 2018
Soccer Mommy: ‘Clean’
Soccer Mommy (aka Sophie Allison) hasn’t abandoned her lo-fi bedroom pop aesthetic in her latest album Clean, just...
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Emma Korstanje | March 1, 2018
Review: Judah & the Lion: Going to Mars Tour
Tall Heights : Colony House: Judah: The first of Judah & the Lion’s two-night sold-out stint at...