Oh Cursive, you’re so cool

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In a twinkle of starry lights, a pumpkin sat, glowing, declaring the band’s name: Cursive. The crowd went wild, screaming and fist-pumping, washing the stage with the kind of excitement usually saved for the headliner – that night, Minus the Bear – as singer and guitarist Tim Kasher took the stage with the rest of the band.

The calm-inducing lights suddenly made perfect sense at the Variety Playhouse in Atlanta that night, October 24, as the band swept into the slow and thought-provoking “This House Alive”, the first song on Cursive’s new album, I Am Gemini. But the band, an inarguable group of musical geniuses, knew not to dwell in the serene for too long. Suddenly, in a burst of nearly tangible energy, drummer Cully Symington ushered in “A Gentleman Caller”, one of the band’s older, more acclaimed tracks. Kasher’s ferocious screams – declaring the horrors of love – forced the crowd into an almost hypnotic sort of head-bobbing.

Cursive proved through the next few songs that they are a band that is obviously impressive on recordings, but cannot be fully appreciated until seen live. Their songs explore universal human experiences like love and loneliness, and the band’s deep personal connection with its dynamic lyrics became clear as Kasher strolled back and forth across the stage, simultaneously appearing to contemplate the complexity and emotions behind the words he sang and interacting with the entire audience.

With a slightly country/folk edge that kept the audience enthralled and impressed, Cursive reached the middle of their set with “Caveman”. This unique track was the ideal predecessor to “The Sun and Moon”, another new song, easily recognizable by its undeniable catchiness. Intelligently referencing the likes of Dionysus and Gommorah, Kasher’s voice – rising steadily, magnetically – kept everyone, on stage and off, dancing until the very last note.

Cursive put together their set list incredibly well; immediately following “The Sun and Moon”, a crowd favorite, came one of the band’s most well-known, praised tunes: “The Recluse”. The instrumentals during this song were superb, a hubbub of odd instruments like sleigh bells. These sounds meshed impeccably with Kasher’s voice, which could only be described during this song as a collage, alternating constantly from a nearly inaudible whisper to one of his signature strings of throaty screams. Just a few songs later, another old favorite, “Art is Hard”, kept the crowd drawn to the band as a series of string instruments were played and the tempo was lifted ever further in a chorus of almost jazz-like melancholy.

The band finished with a rendition of “Dorothy at Forty” – an interesting choice, as it is definitely a lesser-known track. However, Cursive’s use of this song to finish off a perfect set simply proves their ability to judge what an audience wants – the song was a final, explosive burst of loud energy that kept everyone moving until the very last second, especially as Kasher opened his jaws in an enormous yell that reverberated around the room.

Before Kasher and crew walked off stage, he made one last, unnecessary declaration: “WE ARE CURSIVE!” If anyone in the crowd hadn’t heard of Cursive before, they certainly knew who they were now – and would never forget.


Kate Foster is a hodgepodge of seemingly unrelated titles: writer. Blogger. Beauty and fashion junkie. Cat devotee. Art history buff. Harry Potter nerd. Cheesy 90's television fan. Sometimes-gamer. Seasonal sculptor. Mostly she’s a music enthusiast. While her heart and soul belong to 50's and 60's crooners like Etta James, Sam Cooke and Elvis Presley, one shouldn’t be surprised to find her listening to Lady Gaga or Jay-Z. Most days, though, she’s in an indie-punk mood somewhere in between - she counts the Pixies, the White Stripes, M83, and Yeah Yeah Yeahs as a few of her favorites. And while you’ll typically see her bobbing her head calmly at concerts, occasionally she pulls out all the stops for bands like the Black Lips. She treasures her bruises like a child. After graduating from the University of Georgia with degrees in Journalism and Art History, Kate aspires to move to New York City. There, she hopes to continue to write. She also plans on pretending to understand the art at MoMA and stuffing her face with cronuts and one dollar pizza. Kate’s heroes range from Oscar de la Renta and Mindy Kaling to Ernest Hemingway and Rupert Giles. She practically inhales iced coffee on a daily basis. Her favorite color is yellow, and like Buddy the Elf, she considers candy a major food group. She has dreams almost every night involving the coolest architecture and interior design, and has no idea what it means. Seriously, what does that mean?!

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