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For Fans of Led Zeppelin? Check Out Greta Van Fleet

Posted on March 7, 2018March 7, 2018 by Emma Korstanje

  One of the biggest issues with good ‘ole, classic rock ‘n’ roll is just that… it’s old. Many bands, understandably, faded as new music graced us all. For the few that still push on, new music is seldom found and often represents various passion projects (see: The Rolling Stones: Blue & Lonesome—despite how amazing the…

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Camp Cope: ‘How to Socialise and Make Friends’

Posted on March 2, 2018March 8, 2018 by Sebastian Marquez

Let me get one thing out of the way: Camp Cope are not fucking around. The moment singer/guitarist Georgia “Maq” McDonald lets loose the first lyrics of the How to Socialise and Make Friends, all bets are off that this is going to be an easy listen. Don’t get me wrong, the instrumentation on the…

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Lucy Dacus: ‘Historian’

Posted on March 2, 2018March 2, 2018 by Emma Korstanje

After her 2016 debut, No Burden, Lucy Dacus was hailed as one of rock’s most promising new players. With her sophomore release, Historian on March 2, Dacus fulfills that promise—and then some. Dacus’ delicate—but not in any way frail—vocals lead the way through the album, which almost feels like a rambling stroll through a narrative…

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Soccer Mommy: ‘Clean’

Posted on March 2, 2018March 2, 2018 by Harper Bridges

Soccer Mommy (aka Sophie Allison) hasn’t abandoned her lo-fi bedroom pop aesthetic in her latest album Clean, just dialed up the production value a notch and added some layers. Her coming-of-age, sometimes naïve, sometimes adolescently self-deprecating, sometimes wise lyrics still sit unassailably at the forefront of her songs, filling whatever space they’re listened in with…

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Review: Judah & the Lion: Going to Mars Tour

Posted on March 1, 2018March 1, 2018 by Emma Korstanje

Tall Heights : Colony House:   Judah: The first of Judah & the Lion’s two-night sold-out stint at the Georgia Theatre in Athens, GA, started strong and ended with a bang. The “folk hop n’ roller’s” constructed a show as equally meaningful as it was exciting, and easily kept fans on their toes for the…

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Show Review: Portugal. the Man at the Georgia Theatre

Posted on March 1, 2018March 5, 2018 by Anna Lee

With the monumental success of Portugal. the Man’s latest album, the band has had to cope with being extremely successful while still staying true to their original sound. Tickets for their two-day run at the Georgia Theatre in Athens February 26-27 sold out relatively quickly, leaving many of their longtime fans worrying that their show…

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Savannah Stopover Artists to Watch

Posted on February 28, 2018February 28, 2018 by Anna Lee

  Savannah Stopover is something of a hidden gem as far as music festivals go. Located in Savannah, Georgia, the three-day festival boasts a packed lineup of up-and-coming artists of all backgrounds and genres. Throughout the weekend, shows take place in small to mid-sized venues across Savannah’s historic district, establishing an intimacy that is rare…

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The Visual Album: Marketing Gimmick or Freeform Artistic Expression?

Posted on February 28, 2018February 28, 2018 by Erica Kastner

While it’s not exactly a new concept, the visual album has become more commonplace recently than ever before. French artist Serge Gainsbourg’s 1971 visual album Histoire de Melody Nelson has received some nods for arguably being the first visual album. Through the rest of the 20th century, bands such as The Beatles, Pink Floyd, and Prince…

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Marlon Williams: ‘Make Way for Love’

Posted on February 19, 2018February 19, 2018 by Harper Bridges

Marlon Williams is only 27 years old, but unfailingly keeps proving that his musical maturity is a force to be reckoned with. With a crooning voice that upon first listen may be mistaken for Elvis’s, Marlon lulls into captivation anyone who’s listening in his second solo album, Make Way for Love, combining the styles of…

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Superchunk Delivers Punk Rock Gem on ‘What a Time to be Alive’

Posted on February 19, 2018February 19, 2018 by Nate Bramel

Superchunk turns anger into noise—and joyous noise at that—on the band’s newest album, What a Time to be Alive.  Twenty-eight years after their self-titled debut, the band’s fury and energy is as powerful as ever, as frontman Mac McCaughan’s vocals mesh with soaring guitars and the pulsing percussion of drummer Jon Wurster.   The 2016 election has shaped…

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