Reviews
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Caro Malphrus | May 7, 2021
REVIEW: DoFlame’s “Bat House”
18-year-old DoFlame made his debut just a few weeks ago with single “Bat House.” If I could describe...
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Jonathan Yim | April 30, 2021
REVIEW: Cities Aviv – ‘The Crashing Sound of How It Goes’
THE CRASHING SOUND OF HOW IT GOES by Cities Aviv I was stuck in a place/I couldn’t get...
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Caro Malphrus | April 30, 2021
REVIEW: Bobby Kid – “Blue/Dissonance”
Who am I, and who are you? Growth. Fear. Changes. The nostalgia of it all. Who are we...
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Sam Veal | November 9, 2018
Fleet Foxes – ‘First Collection 2006-2009’
Nostalgia is a powerful feeling, providing respite from the present day. Music continues to find ways to replicate...
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Sam Veal | October 12, 2018
BRONCHO: ‘Bad Behavior’
When formulating ideas for new music, BRONCHO bandleader Ryan Lindsey could not help but focus on the bad things....
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Sam Veal | September 28, 2018
REVIEW: Lala Lala – ‘The Lamb’
Lillie West has described her recent past as one of “general violence.” In the midst of writing her...
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Anna Lee | June 11, 2018
Middle Kids are a Force to be Reckoned with on Debut Album “Lost Friends”
An eclectic combination of confidence, self-doubt, love, and lust ooze from “Lost Friends,” the debut album from Australian...
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Bryan Toti | June 11, 2018
(Sandy) Alex G at Arlene Schnitzer Concert Hall (6/8)
Quiet whispers evaporated into the echoing chambers of the Arlene Schnitzer Concert Hall as a couple hundred early...
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Sam Veal | June 8, 2018
Melody’s Echo Chamber: ‘Bon Voyage’
The time between albums for Melody Prochet has been close to six years, and that span can be...
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Bryan Toti | June 1, 2018
Sasquatch! Music Festival 2018: A Triumphant Return to Form
Emerging from hibernation annually each Memorial Day Weekend, Sasquatch! Music Festival opens the gates of The Gorge Amphitheater...